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Per Hüttner
Per Hüttner is a Swedish visual artist who lives and works in Paris, France. He graduated from Konsthögskolan in Stockholm 1993. He also studied at Hochschule der Künste in Berlin 1991-1992. He is mostly known for his photographic work〔"A Western Runner," Laurent Devèze, Mare Articum 1, p.58-63, 2002, Poland〕 and for his interactive, changing and travelling exhibition projects.〔Per Hüttner and Gavin Wade interviewed by Barnaby Drabble , Marianne Eigenheer (Hg.) Curating Critique, ICE Reader 1, 2008, ISBN 978-3-86588-451-0〕 A number of monographs about his practice has been published including ''Per Hüttner〔Per Hüttner. Stockholm: Föreningen Curatorial Mutiny, 2004. ISBN 91-631-5131-6. With a text by Duncan McLaren〕'', 2003; ''I am a Curator〔Per Hüttner: I am a Curator, 2005, 138 pages including 13 fold out colour pages, texts by Per Hüttner, Hannah Rickards, Celine Condorelli, Gavin Wade, Veronique Wiesinger, Duncan McLaren, Lisa LeFeuvre and Scott Rigby, language: English. Published by Chisenhale Gallery. ISBN 91-631-5132-4〕'', 2004; ''Repetitive Time〔Per Hüttner: Repetitive Time, 2006, 116 pages including 30 colour plates, texts by Lena Boëthius, Laurent Devèze, Per Hüttner, Claire Canning and Stéphanie Nava, language: English, design by Henrik Gistvall. Published by Göteborgs Konstmuseum. ISBN 91-631-7127-9〕'' 2006, ''Xiao Yao You〔Per Hüttner: Xiao Yao You, 2006, 96 pages including 10 fold out colour pictures and multi-foldout cover, texts by Bo Nilsson and Zhang Wei, languages: English, Swedish and Chinese, design by byboth. Published by Guangdong Museum of Art. ISBN 978-91-631-9345-3〕''2006, ''Democracy and Desire〔Per Hüttner: Democracy and Desire, 2007, 158 pages (A3) including 10 colour fold out pages. Languages: English, Swedish, Spanish and Rumanian. Design by Åbäke. Published by Vacio 9 and The Rumanian Cultural Institute. ISBN 978-91-633-0548-1〕'' 2007.〔(List of publications by Hüttner at the Royal Library in Stockholm. )〕 The Imminent Interviews 2010〔 and The Quantum Police 2011.〔The Quantum Police, with texts by Anne Klontz; Johnny Ross and Willie Hansen (1969) and a short story by Wang Xiao Ping (in Chinese and English). Design by Erik Månsson, 96 pages in full coulour + 5 fold-out sheets. Published by Lambert Gallery and Vision Forum 2011, ISBN 978-91-978934-5-9.〕
==Biography==
Hüttner was born in Oskarshamn, Småland on 11 February 1967. His father Bengt, who was Jewish, died in a car accident in 1971〔http://www.platform.fi/2002/huttner/index.html〕 and he was brought up by his Protestant mother with his sister. He moved around Sweden until the age of 24 when he moved to Berlin to study. His life has since been marked by nomadism and constant movement where travel and international dialogues are core to his life and practice.〔"Med världen som arbetsplats," Anders Olofsson, Konstperspektiv p.24-27; April 2002; Malmö, Sweden〕 He lived in London and Los Angeles until he created his base in Paris in 2002. Hüttner was one of the founders of the non-profit galleries Konstakuten in Stockholm (1996–2001) and The Hood Gallery in Los Angeles (2001–2003),〔Springhill Institute Report on Activities, p.110, The Springhill Institute, Birmingham, UK, 2007 ISBN 978-0-9556107-0-7〕 the former was one of the first artist initiated galleries in the country and was important in creating a culture of self-organisation of artists in Sweden.〔"How do we Keep on Meeting?," 9-10 Ottobre 1999, Oreste at The Venice Biennale, Italy, 1999〕 He is also one of the founders of the residency programs Norrköping AIR 〔http://norrkopingair.blogspot.ch/〕 and initiator of the experimental research group Vision Forum.〔The Invisible Generation ed. Gerrie van Noord, Published by Vision Forum, Stockholm, Sweden. ISBN 978-91-978934-2-8〕
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